摘 要

藏族人民属于一个地处高原接近人类的少数民族,个性鲜明且少数民族传统文化建筑风格独特。它们在装饰衣着,美食,民居和传统节庆等多个细节方面都几乎无一不完美地充分透露了青藏高原独特文化韵味。康巴地区的图文美术有悠久的历史积淀和丰富的文化底蕴，既是藏民族绘画的典范，又是华夏艺苑中的一朵奇葩。

中国藏式优秀传统的装饰画和图案是中国少数民族传统文化的一个重要组成部分,是充分体现中国的地域性特色,民族优秀传统文化内涵的一个重要技巧。藏民族的图案形态主要由各种构成因素,通过建筑、雕塑和编织等多种途径流传下来。本课题主要针对藏式传统图形画和藏式传统图案的艺术特点进行探讨,掌握藏式传统图案的艺术发展及其演变史和历程,了解它的艺术风格及其艺术性质,有助于我们了解和把握藏式传统图案的审美规律及其形式之美,并将它更好地运用到现代艺术的创造中,使藏式传统的民族艺术能够得到一个符合现代审美规范标准的继承与发展。

关键词：民族传统；藏式图案；构成元素；室内设计

Abstract

Tibetan is a plateau nationality with distinct personality.They are in dress, food, residential and festival,and so on all do not reveal the plateau's unique flavor.The graphic arts in Kangba area have a long history and rich cultural details,It is not only a model of Tibetan painting, but also a wonderful work of Chinese art. Traditional Chinese Tibetan decorative patterns are an importantpart of traditional Chinese culture,is the embodiment of regional characteristics, an important means to enrich the national culture. Tibetan patterns are mainly composed of elements,through architecture, sculpture and fabric and other ways spread to this day.This topic mainly carries on the research to the Tibetan pattern,to grasp the development and evolution of Tibetan traditional patterns, to understand their artistic style and artistic features,it helps us to master the aesthetic principles and formal beautyof Tibetan patterns, and apply it to modern design better, so that the traditional national art in line with the modern aesthetic standards of inheritance and development. it helps us to master the aesthetic principles and formal beauty of Tibetan patterns, and apply it to modern design better,so that the traditional national art in line with the modern aesthetic standards of inheritance and development.

Key words: National tradition; Tibetan pattern; Constituent Element; Interior design