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| 跨文化视野下美国动画片《木兰》和中国电影《花木兰》的对比研究 摘要 中国古代文学作品中的巾帼英雄人物-花木兰，替父从军、英勇奋战、保家卫国，最后荣归故里的故事在中国家喻户晓，广为流传。近些年来，随着新兴传媒技术的不断进步，花木兰的故事也引起了很多影视剧制作者的兴趣，越来越多的影视剧作品将木兰的形象再现，重现木兰的英雄事迹例如，1998年美国迪士尼影片公司制作的电脑动画电影，以及2009年由赵薇和陈坤主演的电影《花木兰》。 电影是由特定文化创造的文化产物，它所传播的信息皆基于一定的文化背景。两部影片对于将花木兰故事的影视化过程中，进行了一定的改编创作。因此，上述两部影片虽讲述同一个中国故事，但在故事情节设置和人物形象设计以及电影核心主旨传达上却存在差异。这种差异主要来源于对同一文化的不同解读。这种解读也在一定程度上反映不同的社会结构所存在的文化差异。 因此，本文将通过电影对比分析，从跨文化交际角度出发，结合霍夫斯泰德的文化理论框架探索两部影片背后所蕴含的社会文化差异。本文研究目的首先在于强调电影，这种文化产物可以成为跨文化交际研究的重要文本；其次，本文旨在为通过电影对比分析研究社会文化模式的学者提供参考和带来一定的借鉴意义。 关键词：跨文化交际；电影对比分析；文化维度理论；霍夫斯泰德 Abstract The story of Hua Mulan, a heroic woman in ancient Chinese literature,who took her father’s place in the army, fought bravely,defended her family and finally returned to her homeland, is a household name in China and is widely spread. In recent years, with the advancement of new media technology,the story of Mulan has attracted the interest of many film andtelevision producers,and more and more film and television productions are reproducing the image of Mulan and recreating her heroic deeds, such as the American animation film Hua Mulan made by Dy the Walt Disney Company in 1998 and the Chinese film Mulan shoot in 2009. Films are cultural products created by a specific culture,and the messages it disseminates are based on a certain cultural background. Both films have made certain adaptations in the process of film and television adaptation of the story of Hua Mulan. Therefore, although the two films tell the same Chinese story,there are differences in the storyline setting and character design as well as in the core message of the films. This difference mainly comes from different interpretations of the same culture.To a certain extent, this interpretation also reflects the cultural differences that exist in different social structures. Therefore, this paper explores the cultural differences behind the two filmsthrough a comparative analysis of the films from the perspective of cross-cultural communication, combined with Hofstede's cultural theoretical framework. The purpose of this paper is, firstly, to emphasize that film,a cultural product, can be an important text for interculturalcommunication research; secondly,this paper aims to provide a reference and bring certain implications for scholars who study cross culture through comparative film analysis. Key words: Cross-culture; Geert Hofstede;Cultural dimensions; Comparison analysis of movies |
